Four additional, less obvious but very compelling reasons that Athena is the Eve of Genesis.
8. The sculpture on Athena’s huge shield depicted the Greeks
defeating the Amazons. The Greeks hated the Amazons and had to conquer
them because they were children of the despised Ares, a deification
of Adam and Eve’s youngest son, Seth (Athena and Kain, Chapter
5). The Greeks were part of the line of Kain; the Amazons, part of the
line of Seth. The idea that the Amazons cut off their right breast so
that it might not interfere with the use of the bow, and that the name
thus means “breastless” is a fable. Amazons are never pictured
in sculpture or painting without a breast which they surely would be
if that’s what their name meant. Maza means barley cake. Kain was
a server of the ground (Genesis 4:2) out of which the barley grows.
An “a” in front of a Greek word often is the equivalent of
our “non” or “un.” The Amazons were known as nomadic
and not servers of the ground; that is, not those who raise barley and
make cakes. A-mazon would thus identify them as not part of the line
of Kain; that is, not believers in the wisdom of the ancient serpent
(Athena and Kain, pages 152-53). The shield is a symbol of defense.
Athena defends the Greek religious system from the inroads of the daughters
of Ares (Seth).
9. On the inside of Athena’s great shield, Greek artists
painted the Greek gods defeating the Giants. The same theme decorated
the 14 east metopes on the outside of Athena’s temple. The defeat
of the Giants, who represented the Yahweh-believing sons of Noah, is
the culminating event, the great celebration, of ancient Greek religion.
The rebellion of Hermes in Babylon, the rebirth of the serpent’s
Eve, the replacement of Nereus/Noah with Poseidon as god of the sea,
the rebirth of the line of Kain in Athens, and the labors and conquests
of Herakles, all pertain to it or lead up to it. This is the fundamental
assertion made by the ancient poets, vase-artists, and sculptors: the
Greek gods have defeated the Giants: the Greek religious system has
overcome the Yahweh-believing sons of Noah, and Athena, the serpent’s
Eve, rules the Greek world (Athena and Kain, Chapter 15).
10. As we know from the story of Oedipus, Hera originally controlled
the sphinx, a riddle-uttering winged monster with the head of a woman
and the body of a lion. By the fifth century BC
when Phidias constructed the great statue of Athena Parthenos, the sphinx
and her enigmatic power belonged to Athena, as we know from its image
atop her war helmet. Athena’s possession of the sphinx shows that
her authority supercedes that of Hera, the original primal Eve from
before the Flood (Athena and Eden, Chapter 5). The wings of the
sphinx symbolize power in the heavens; the body of the lion, power on
earth; and the woman’s head represents the mysterious Eve, mother
of all living.
11. Sculpted on Athena’s sandals were the Lapiths (Flint-chippers)
losing a battle to the Kentaurs. This lost battle was also depicted
on 24 of the 32 metopes on the south side of the Parthenon. These Kentaurs,
half-men/half-horses, represented the line of Seth before the Flood,
and for a short time after it. Greek artists often depicted Kentaurs
as carrying branches. To the Greeks, who did not believe in a Creator-God,
they represented a “strange branch” of humanity. The Greeks
blamed the Kentaurs for the destruction of the line of Kain during the
Flood. In Athena’s Parthenon, it’s after the Flood now. The
line of Kain has been reestablished in Athens and Greece. The Kentaurs,
and that embarrassing defeat, are now, literally, under Athena’s
feet. The line of Kain is vindicated, and the enemies of the serpent’s
system are underfoot (Athena and Kain, Chapters 6 and 7).