Ares/Seth


Zeus was fond of his son Hephaistos, who performed an indispensable and appreciated function as armorer of the gods. On the other hand, Zeus considered his youngest son, Ares, to be worthless, calling him "hateful"and "pestilent" and a "renegade."14 The ancient poet, Homer, referred to Ares as "the bane of mortals."15 The only reason Ares has a place in the Greek pantheon is that he is the son of Zeus; that is, he is one of the two actual sons of the first couple, Adam and Eve, of whom Zeus and Hera are deifications. Zeus hates Ares, but accepts responsibility for siring him: "for thou art mine offspring, and it was to me that thy mother bare thee," and then rails at this son of his, telling him that if he were born of any other god, he would have been "lower than the sons of heaven" long ago.16 Some scholars say Greek religion is anthropomorphic; that is, gods take human form. That’s not quite right. What happens is that real human ancestors retain their original identities and take on godlike qualities. Ares, as a deification of Seth, is trapped, in a sense, by the historical framework. His father, Zeus, had to hate him, and Greek heroes were expected to kill his children.

While the scriptural viewpoint defines Seth/Ares as the Yahweh-believing, or spiritual son, Greek religion defines him as hated by, and antagonistic to, the ruling gods who are part of the serpent’s system. Likewise, while Zeus-religion looks on Hephaistos/Kain as the true and devoted son, the scriptural viewpoint defines him as part of the wicked one’s system. Jews and Christians dislike and shun the line of Kain, but they can’t get rid of him or his line without altering their spiritual standpoint and history itself. Kain is part of the Scriptures, and he is there to stay. Zeus-religion has the same kind of situation. It hates the line of Ares, but it cannot eliminate the line from its history, for, as we shall see, the basic achievement of Zeus-religion, its grand celebration even, is the triumph of the way of Kain over the way of Seth. Ares is part of Greek sacred literature and art, and he is there to stay.

According to Genesis, the Flood temporarily wiped out the way of Kain. Noah, in the line of Seth, "a just man" (Genesis 6:9), survived with his wife, three sons, and their wives in the Ark. All but these eight people disappeared into the earth. The Greeks pictured this cataclysmic event as half-men/half-horses known as Kentaurs (Centaurs) pounding a man named Kaineus into the ground with a rock (Figure 6). Kaineus means "pertaining to Kain," or more directly, "the line of Kain."

Figure 6. Kentaurs pound Kaineus into the ground with a boulder.
Figure 6. Kentaurs pound Kaineus into the ground with a boulder.
West Frieze of the Temple of Hephaistos, Athens, c. 440 BC.


Who were the Kentaurs? The original Greek word for Kentaur, Kentauros, means hundred (where we get century and cent) and most likely relates to the fact that Noah, the chief of the line of Seth, warned of the Flood for one hundred years.17 In most vase paintings of them, the Kentaurs carried symmetrical branches, a sign that they belonged to a certain branch of humanity. The Greeks, who embraced the way of Kain, did not acknowledge the Creator God, and so they couldn’t blame Him for the Flood. They blamed the survivors of it, that strange branch of humanity they didn’t really understand—the line of Seth.

The resurgence of the way of Kain after the Flood

For a number of years after the Flood, God’s awesome and decisive intervention in human affairs remained fresh in the minds of Noah’s descendants, and the way of Kain remained dormant. Then, gradually, a yearning for the serpent’s wisdom began to take hold. On a shield band panel from about 550 BC, a Greek artist depicted this all-too-human desire perfectly (Figure 7).

Figure 7. Herakles and Nereus, the ‘Salt Sea Old Man’.
Figure 7. Herakles and Nereus, the ‘Salt Sea Old Man’.


The characters are the great hero, Herakles (Hercules), the Nimrod of Genesis transported to Greek soil, and Nereus, the Greek Noah. Nereus means the "Wet One." His bottom half is a fish, signifying that he came through the Flood. The inscription on this panel refers to him as Halios Geron—"The Salt Sea Old Man."18 Herakles demands to know something that only the Salt Sea Old Man can tell him. A flame and a serpent come out of Nereus’ head. Herakles wants to know where to find the enlightenment of the serpent. According to Apollodorus:

Herakles seized [Nereus] while he slept, and though the god turned himself into all kinds of shapes, the hero bound him and did not release him till he had learned from him where were the apples of the Hesperides.8

Life in service to the God of Noah seemed boring. Humanity wanted another big bite of the apple from the serpent’s tree in the Garden of the Hesperides. Ancient Greek religion commemorates the return and triumph of the way of Kain after the Flood, and it is celebrated in many interrelated ways in myth and art:

  • Hermes, the Cush of Babylon, embraces the serpent’s system and becomes deified as the chief prophet of Zeus religion.19
  • Poseidon, a ‘brother’ of Zeus marries a daughter of Noah/Nereus and replaces him as god of the sea.20
  • The gods inspire Greek heroes to wound Ares/Seth and kill his offspring.21
  • A special child, the seed of Hephaistos/Kain, is reborn from the earth in Athens.22
  • In one of his famous twelve labours, Herakles, the Nimrod of Genesis, kills the three-bodied Geryon who represents the spiritual authority of the three sons of Noah.23
  • As his final labour, Herakles returns to the serpent’s tree in the Garden of the Hesperides and obtains the sacred apples for Athena.24
  • In the great culminating and decisive battle, the gods in concert (as a religious system) overwhelm and defeat the Giants who represent the Yahweh-believing sons of Noah.25

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